{"id":19781,"date":"2024-02-13T11:21:42","date_gmt":"2024-02-13T10:21:42","guid":{"rendered":"https:\/\/actionaid.es\/voluntariado\/?p=19781"},"modified":"2024-10-15T10:44:45","modified_gmt":"2024-10-15T08:44:45","slug":"colombia-muralismo","status":"publish","type":"post","link":"https:\/\/actionaid.es\/voluntariado\/colombia-muralismo\/","title":{"rendered":"Memoria y muralismo en Colombia\u00a0"},"content":{"rendered":"

Por Alessandro Licata<\/p>\n

Murales: Testimonios silenciosos de la historia<\/strong><\/h2>\n

Al llegar a Santander de Quilichao, los ruidos de la ciudad te envuelven: el constante trasfondo de m\u00fasica, risas, vendedores ambulantes y el traqueteo del tr\u00e1fico crea una sinfon\u00eda urbana \u00fanica que define las ciudades colombianas. Sin embargo, la riqueza cultural de Colombia se expresa sobre todo a trav\u00e9s de sus contradicciones: los sonidos de la calle y el silencio de los murales<\/strong>, que aparecen de vez en cuando por las paredes de las ciudades.<\/span>\u00a0<\/span><\/p>\n

Los murales se erigen como testigos callados<\/strong>, proporcionando un espacio de reflexi\u00f3n donde el espectador puede escapar temporalmente del ruido urbano y sumergirse en la historia pintada en las paredes.\u00a0<\/span>\u00a0<\/span><\/p>\n

Muralismo como herramientas de cambio social<\/strong><\/h2>\n

La plaza del Sam\u00e1n de Santander de Quilichao, recorrida a diario por miles de motos y carros y en la que se asienta un inmenso \u00e1rbol, no es solo una plaza, sino un espacio de memoria<\/strong>. Si miras un poco m\u00e1s all\u00e1 del inmenso sam\u00e1n que domina todo el lugar, te das cuenta de los murales que rodean toda la plaza. Colores, rostros, animales selv\u00e1ticos se adue\u00f1an de la pared y le donan un significado. Normalmente una plaza, una calle es solo un lugar de pasaje, sin embargo, en ese espacio y de esas mismas paredes se desprende una historia.\u00a0<\/strong><\/span>\u00a0<\/strong><\/p>\n

Pocas cosas son m\u00e1s inmateriales que la memoria, inclusive conceptos como perdonar, reparar, reconciliar. Sin embargo, a trav\u00e9s del mural, esos conceptos se materializan, ocupan y reivindican un espacio f\u00edsico, m\u00e1s all\u00e1 <\/span>de lo <\/span>espiritual. Por ende, los murales desempe\u00f1an un papel crucial como agentes de cambio social.<\/strong> Estas manifestaciones art\u00edsticas son herramientas para la reconciliaci\u00f3n y la construcci\u00f3n de paz. Adem\u00e1s, constituyen proyectos dise\u00f1ados y creados desde dentro, por las mismas comunidades, y no impuestos: es la comunidad que<\/strong><\/span> quiere contar su propia historia y contribuir a la construcci\u00f3n de memoria.\u00a0<\/strong><\/p>\n

La narrativa visual de los murales<\/strong><\/h2>\n

A trav\u00e9s del mural, recordar no es un mecanismo individual y abstracto, inmaterial, se convierte en un proceso colectivo a trav\u00e9s del cual la comunidad materializa una historia, dejando que esa misma se apodere de un espacio. <\/span><\/p><\/blockquote>\n

Por ende, Colombia, tierra de contrastes y riqueza cultural, ha encontrado en los murales una forma de expresar su identidad y enfrentar los desaf\u00edos sociales<\/strong>. Estas obras de arte callejero no solo decoran las fachadas de edificios, sino que tambi\u00e9n desempe\u00f1an un papel crucial en la narrativa del pa\u00eds, sirviendo como testigos silenciosos de su historia, sus luchas y su diversidad. En Colombia las paredes tienen una historia guardada que los murales permiten descubrir. No es solo pintar, poner algo sobre algo, sino excavar dentro de un lugar para que ese mismo espacio pueda contar su historia, que, de lo contrario, se quedar\u00eda olvidada.<\/span>\u00a0<\/span><\/p>\n

Se narran historia de dolor y otras m\u00e1s felices, de esperanza. Se materializa la memoria de hechos que la gente no quiere revivir, sino tambi\u00e9n un futuro m\u00e1s diferente. Como dice Am\u00e9rica Vaquerano, los murales no son lo que ella piensa o espera, sino lo que la comunidad quiere<\/em>. El mural no materializa solo el deseo de no olvidar el pasado, sino tambi\u00e9n la voluntad de imaginar y materializar en aquel mismo lugar un futuro diferente.<\/strong><\/span>\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Por Alessandro Licata Murales: Testimonios silenciosos de la historia Al llegar a Santander de Quilichao, los ruidos de la ciudad te envuelven: el constante trasfondo de m\u00fasica, risas, vendedores ambulantes y el traqueteo del tr\u00e1fico crea una sinfon\u00eda urbana \u00fanica que define las ciudades colombianas. Sin embargo, la riqueza cultural de Colombia se expresa sobre […]<\/p>\n","protected":false},"author":834,"featured_media":19782,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[579,4,534],"tags":[571,269,558,542],"class_list":["post-19781","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ces","category-colombia","category-voluntariado-internacional","tag-ces","tag-colombia","tag-rebuild","tag-voluntariado-internacional"],"acf":[],"yoast_head":"\nMemoria y muralismo en Colombia\u00a0 - ActionAid voluntariado<\/title>\n<meta name=\"description\" content=\"Explora el poder del muralismo en Colombia, herramienta de cambio social y narrador de la diversidad cultural y los desaf\u00edos del pa\u00eds.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/actionaid.es\/voluntariado\/colombia-muralismo\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Memoria y muralismo en Colombia\u00a0 - 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